This is a custom Marin Spivack setup vintage piece that starts with the same blank used for the Dukoff/Zimberoff “House of note” Supersonic model. This blank was used by Zimberoff, Selmer, George Bundy, and several others names as well from probably the early 1950’s to the 1970’s. It is a very good blank very much akin to the Otto Link Slant signature Tone Edge of those time periods. It has a round chamber with scooped walls and yet not an extremely large chamber, which is why (if setup properly) they will have a similar power to a Slant Link or a straight sig FL Link.
This is the later version of the blank which features a slightly longer shank, as the early shorter ones tend to play a bit sharper and have to be pretty far out on the cork. This is the same inside (and mostly outside) but solves that issue.
This one was custom set up from the ground up to a tip size of .100 and a medium shelf baffle. it plays with a very fat and solid booming tone with just the right amount of edge for clarity. I would say it may be a bit brighter than most stock Florida Slant signature Links, but I would not consider this extremely bright either, a very nice balance with a lot of clarity and a solid tone one can lean into.
This Conn 10M is a wonderful player, wide, loud, flexible, nimble and complex sound. The finish is original, and in good condition, flaking in some spots but all honest wear. The pads are not new but they are functioning, could use updating when the right time comes along. Serial #277xxx, has original case. There are some dings and minor blemishes present but nothing serious, and all could be smoothed out pretty easily. This is every bit as good as these are said to be, and this is a very good model period.
This is a beautiful 24k Balanced Action alto in original lacquer and US engraving, a very rare find. This horn has an absolutely beautiful sound but will requires some attention to function at 100%. Pads will need help and some solder joints at the bell brace that are traditional weak-points for old Balanced Actions may warrant some review as well, although they are currently stable. The sound is unrivaled and the condition is very good and difficult to find.
This horn is just a beautiful old treasure. I am not exactly excited to sell this, but someone wanted to see the pics so here it is. It’s wonderful, kind of a later serial for full pearls. The pads and setup are very very old and it does not really play at the moment. The 2 notes I could get out sounded marvelous. There is no question this will be amazing once setup.
This is an exceptionally nice example of the sweet spot MK VI alto, #148xxx. These are the medium bow altos that are preferred by Sanborn and Kenny Garrett among many others, for their superior intonation, powerful volume and thick upper register. The hype is real about these and this one particularly is a complete phenomenon.
The condition of this horn is just museum quality original lacquer. original pads and original setup that has barely been played and feels and looks just brand new. This plays as is on the original pads.
This is an extremely rare find and not an every day horn. It plays every bit as good as it should and even among 140k altos this is probably the best and most balanced sound and feeling out of all I have played.
This is a beautiful vintage Mark VI Alto, 78xxx 1957. The dark lacquer finish is all original with appropriate wear from professional use, although it was well cared for. It is US assembled and engraved. There is one low C key guard foot solder that was not due to damage. The original plastic thumbrest was replaced with a pearl like an SBA, but an original could be reinstalled if desired.
This is a medium bow alto that is highly desire for intonation and response. Original case included in functional condition with a small 1957 woodwind service card with 1957 calendar on the back and the original Selmer registration card.
The pads in this horn, if they can still be called pads, are VERY old and dirty so the horn barely plays at all at the moment and will require a serious cleaning and full overhaul. But it is in excellent physical condition and the few notes I could get out of it revealed a magical tone.
This is an absolutely beautiful nearly brand new alto it seems. It may have a few hair scratches but it really is just almost new condition. It plays excellently with a balanced rich tone and precision that is extremely satisfying. The series 2 altos are very popular, apparently for a good reason.
Lovely vintage Selmer alto with a lovely dark lacquer finish. The horn is physically in nice condition with a few minor cosmetic blemishes. The pads are old. It does play a bit with a rich lyrical sound but clearly needs some pad work.
Here we have a wonderful near new 82Z-2 black tenor. This thing plays so clean, precise and reliably, with an effortless response. The air column is slightly wide yet it has power to spare with a defined buzzy edge and a lot of volume. It is not a simple modern sound but a very nicely designed tribute to vintage horns.
This is the second (latest) model with the metal resonators, one piece bell and V1 neck. We also have an excellent C1 solid silver neck included for an extra $375 if desired. That is what I used on it, with a slightly smaller bore it has a bit more focus and power.
Here we have an excellent King Super 20, #375xxx in original condition and finish. It has mostly original pads, quite old and will need revision. It currently does play on the original pads but not especially well, however one can hear and feel the beautiful rich tone and the promise of amazing vibes once it is overhauled. I have taken out some tiny dings all over the horn. It is in excellent condition. There is one post foot that appears to be pulling up from the body at the top of the upper stack, a very easy fix during an overhaul. This horn is a treasure of complex tone and response.