Vintage Saxophone and Mouthpiece Availability

Featured

For availability of vintage saxophones and mouthpieces in stock please see the above link: “Vintage Saxophones & Mouthpieces For Sale”.  That will show current offerings, sold and on hold offerings, as well as up and coming “in-shop” projects.  Please feel free to ask about future offerings.  Additionally there are many items that ARE NOT listed on the for sale page that are packed away, not operational yet, or just not fit into the schedule to list. Early inquiry is a good way to beat the crowd to get the special item you have been searching for.  Thanks!

Selmer MK VI Alto 107xxx Excellent in all Aspects

Selmer MK VI alto here that is just exceptional in both condition as well as function.  The lacquer finish is original and is a wonderful bright gold the same as they were made without much darkening.  Physically the horn is in just great condition with no damage or repair that I could find. The original matching  neck has never been pulled and is in very nice shape along with bell rim and bow cap.  You may observe some lacquer wear on one side of the neck but that is just wear, the neck has been structurally unaltered. The lacquer does show some ‘water spots’ dark coloration here and there where we can see it’s age but these are not solders nor evidence of damage.  One area of the bell does show some lacquer breakdown.

This horn is a concise and fast player with a fine balanced projection featuring both nimble aggressiveness as well as complexity of tonal character.  It is a ‘vintage’ tone yet not weighed down by sluggish heaviness of the air stream.  I personally prefer this alto among many but I don’t play enough alto to keep it to myself.  I’ve listed it here mainly because people were asking and it deserves use, it’s very very good.  Years past I struggled with intonation on long bow altos but for whatever reason this, for me, tunes up beautifully.

Continue reading

Selmer SBA (Super Action) Tenor Saxophone 41xxx original near new

This is exactly the Coltrane model, Bluetrane, Giant Steps, Soultrane etc. 41xxx and nearly brand new.  It has all original pads and resos, lacquer still on the edges, could use a bit of tweaking but plays awesomely right now. Amazing crisp bright popping sound, saoring highs with the big bottom and compression. Just like the other 45xxx that recently sold here, this is just one of those things as good as it looks and it sure looks.

This level of instrument usually sells quietly without publicly posted sales so the only people who know what they really sell for are the seller and the buyer.  This is one of the nicest examples I’ve ever found and there are very few to be found now, so I will gladly keep it until and unless I am quite compelled to let it go. For those who are expecting a ‘reasonable’ price, best not to bother to ask.  There is nothing reasonable about this horn.

Continue reading

Selmer MK VI Tenor original 104xxx

This is going to be a fun one for someone.  It’s original lacquer, been played, shows some history on it, but in good condition and needs a real cleaning and overhaul.  I don’t have time to take care of it at the moment, maybe in t he future but for now I am offering it to someone to make this their special player.  These early 100k tenors just play great; a wonderful balance between quickness, punchy, brightness and vintage complexity.  This is pretty much the end of the early period tonal depth as they started to brighten up the horns (for amplification?)

There is some evidence of a life lived here, a few minor resolders of guard feet and some minor dents and dings, normal stuff.  Overall it looks quite nice with a very warm lacquer color.  It has been sitting and has some corrosion which will clean up nicely with either white vinegar or brass cleaner.  Bright dip would work well here too. There are some pads missing and it’s quite dirty so don’t ask if it plays.  It does not now but it sure will!!  The original (matching serial) neck is in excellent condition, obviously NEVER pulled down. The key pearls are also nice, almost no wear at all. Someone will get a project deal here.

Continue reading

Selmer MK VI 105xxx Original US Lac. Excellent Horned Toad Overhaul

105xxx Selmer MK VI, this is a sweet spot vintage of MK VI right after 100k.  Most everyone who is experienced agrees that these are especially good; punchy, focused, on the brighter side yet still complex sounding.  This is one that I restored years back and put a lot of meticulous care into.  It has large domed brass resonators and (gold) painted pads with a really beautiful tight concise feel.  In the years since I set this up I feel it has not changed much, still plays like a new horn. I recently received it back on a trade and was happy to get a chance to play it again. I’ve gone through and updated one pad and done a little adjustment.

This horn has that wonderful dark lacquer, some normal blemishes for a played horn but is in very good physical condition.  It plays very powerfully with a fundamentally dark core and very cutting edge.  It is a very fast and precise horn.

 

 

Continue reading

Selmer MK VII M-body 263xxx huge bright & wide, great player

Here we have a MK VII tenor, first I’ve played.  Word has it the “M” Prefix serials play better.  I cannot say if that is true but this plays really quite big and wide with a bright forward  presence that is very satisfying.  The pads are older but I’ve got it running at the moment.  I would suggest an eventual overhaul once played enough to decide how you want it set up.

This horn has lived, has normal bumps and bruises and some repairs but overall in fine shape for a player. Neck is in excellent condition, never bent it appears. The attached video illustrates the response pretty well, was a surprise to me.

 

Continue reading

Selmer MK VI 87xxx original US engraved Vintage Player

This horn exudes character and lyricism.  It has the ‘that look’ in droves and it sounds pretty much like it looks in my opinion- just one of those horns.  The serial number is 87xxx, US engraved and lacquered and it is has lived a lot.  It has dings, dents, repairs, blemishes etc.  If you are looking for a mint collector’s item this is definitely not it, but it IS a player.  It very much has a certain complex sound, I would say a darker core with a pretty intense mellow quality and then a shimmering warm edge o top of the sound that is typical of this model period.

The neck is not the original but is an earlier VI model with the low octave saddle, possibly European market.  That is what came with the horn and by the look of it, it has likely been with this horn a long time.  I have experimented with late 80k necks on this horn and so far I still like this neck best on this one; it has a certain focus and speed that is beneficial and somehow seems to let the proper character shine.  With this neck it absolutely sounds like an 87k would be expected to, and I think it can even be heard on the video.

I am not enamored of the pads and resos, but I’ve gone through the horn and got it playing quite smoothly.  I can only imagine how amazing it would be with a proper treatment, but it’s going well at the moment and the pads are not old at all.  These mid-late 80k horns are very rarely available now, most who have them do not willingly sell them and everyone is looking for just this serial number.  Collector’s condition examples are extremely expensive, so this, given the serial number is a serious bargain these days.  If this is what you are hunting, don’t sleep.

Continue reading

Selmer MK VI 87xxx original French Lac Punchy Player

This is an interesting 1960 MK VI tenor originally made for the French market; no engraving, light yellow French lacquer and that light blue enamel on the octave ‘S’.  The serial number is 87xxx although the 7 is stamped at such an angle that is looks like a 1.  I was confused as first but it has all the identifiers of an 87xxx as well.

The finish is original as is the neck with part of the serial scribed into the tenon as well. This horn has really lived, has plenty of scratches blemishes and some repairs but it is sturdy and solid.  It’s just not very pretty which is exactly why it is a bargain for someone hunting for a player’s mid-late 80k tenor, which are usually very very expensive and hard to find.  People love these specifically because of how they play.  Of course some people are obsessed with the Brecker mystique but again, he played these because of how they play, apparently.

With a Berg Larsen-

And with a FL Link-

 

This one is a bit more focused than spread on the scale of how they might play. It is quite aggressive and punchy with an edgy bright thing that takes plenty of air and turns it into power. It feels fast and nimble.  I am not a huge fan of the pads and resos but they are not especially old.  I just think it could be set up better to reach its full potential. I’ve already gone through it and got it playing quite efficiently, but this would be a great project for someone to polish up.  This will be quite an opportunity for the lucky 80k-seeker.

Continue reading

Otto Link FL no USA 9* Original Apex Tenor Piece

This is an excellent example of the archetypal large tip size earlier Florida Link. For some unknown reason these larger tip sizes on the earlier FL really had a special thing.  They play big and very flexible, but if you get the right model they also play somehow unexpectedly easy for that size.  It’s a trick of facing and finish I guess, just the way they made these.  I’ve had many 9’s and 10’s that did just this thing, reliably.

This one is in very nice condition, untouched and not abused.  It measures at around .130 on my tools and blows very complex and easy for the size with a very significant original baffle.

Continue reading

Otto Link USA 7 (.105) original

This is a wonderful late FL USA original 7 facing that plays excellent.  The finish over most of the mouthpiece is very nice yet there is some staining of the plating on the table due to a reed left attached long term I imagine.  This piece plays in a compact and concise way with a very nice flat step baffle similar to late FL hard rubber pieces of the same time period. Facing measures at around .105 on my tools.  This plays with a larger sound (for me).

Continue reading