For availability of vintage saxophones and mouthpieces in stock please see the above link: “Vintage Saxophones & Mouthpieces For Sale”. That will show current offerings, sold and on hold offerings, as well as up and coming “in-shop” projects. Please feel free to ask about future offerings. Additionally there are many items that ARE NOT listed on the for sale page that are packed away, not operational yet, or just not fit into the schedule to list. Early inquiry is a good way to beat the crowd to get the special item you have been searching for. Thanks!
MC Gregory 18M near MINT condition
Original and very nice Paul Desmond equipment
MC Gregory Rico Products model 16 4A Original
Very nice condition Paul Desmond equipment
Berg Larsen Stainless 110/2/M Offset parabolic milling 1970’s
Original
Dukoff Miami Super Power Chamber D7
The real item, good condition original.
Berg Larsen Slant Sig 1940’s 90 facing
Wonderful old hard rubber Berg, crisp fast and extremely clear powerful sound. These are of course more and more rare, wonderful players! Bite area probably used to have a disintegrated rubber patch that was cleaned off.
Berg Larsen Vintage long sloped Beak 100/2 offset SMS Type Font-denim Marinated
This is a very old transitional Berg, 1950’s or earlier; type font facing stamp, denim table, offset SMS facing stamp. I have optimized this facing and tip it’s a player and not a huge tip size. Wonderful tone!
Berg Larsen Stainless 100/1 Offset M (denim table) 1960’s
Biteplate is a bit gnarled, functional but could use some attention.
Berg Larsen 100/0 offset M Denim 1960’s
Berg Larsen 110/0 Offset SMS Denim TBL TYPE font 1950’s
This is a transitional very early Berg model, long long biteplate, long shank, likely soon after the slant sigs. Table milling is denim, facing stamp is old type font; this is very rare. It plays bright edgy and powerful, not shy at ALL.I’ve done a little bit of work on the facing and tip making it true and balanced.
Berg Larsen Stainless 120/1/Offset M (denim table) “marinated”
This piece is quite a player. It had denim table, with some rust and I cleaned that up. The tip and rail work were spectacular, probably done by Berg himself. I left most of that as it was with just some very gentle adjustment and clean up. The facing curve I adapted to the new clean table. This piece plays really amazingly well. It’s big, larger than I normally play, but still it plays very sparkly and defined for me.
