I am hesitant to try to word this one.  It is so rare, unexpected and surprising.  We really don’t often see ANY New York long bite-plate double rings anymore. They seem to just be impossible to find (except right now apparently).  Most are hacked or damaged if you ever see them anyhow.  Add to that, if we ever found them they are almost always 4-5 tip sizes and just too small for people to want to play now.  They are generally NOT easy pieces to open up and work on due to that long bite plate which many a sweating amateur has cut through before contemplating a nervous breakdown.

This one came to me in rough condition, but with a lot of metal intact. I’ve done a complete setup on it and it’s really a player! The facing stamp was not visible on the table so I am just guessing it was not a very small tip to start with.  That means it was likely a custom order.  It is unlikely it would end up at the tip size of .112 (8+) unless it was made large to start with. This is where I ended up and the tip is not even sharp. The tip also does not appear bent nor shortened. It’s just a bit of a freak. The previous owner also had this piece nicely thick and slightly dark gold plated, if which very much is still present.

Well, it’s a large piece and in the world of larger Links this plays amazingly well, seductive even.  It is very loud, a huge body of sound, a woody organic edgy core, and a colorful complex depth like a living voice.  It’s quite a thing.  I totally enjoy this piece and hope it does not get its hooks in me.

I doubt I will see another, and this is definitely among the best of the mouthpiece craft I have ever done.  I hope it goes to someone who can really make great music with it.  Double rings are very expensive for me to acquire now, even if they are totally messed up, so they sell for high prices.  Please expect that this one will be unusually expensive even for double rings as we will never see another and at this size and playability it is totally unique!

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These are in high demand and now just harder and harder to find.  Those who have good ones mostly are not letting them go.  This one is at .097 which is a classic and great tip size for these, with the crisp detail of a slightly smaller size, yet still plays very big and expansive. Coltrane’s facings were all under 6* from what I heard, which makes a lot of sense given the bright, present sound he got.  This type of compact crispness can only be achieved under .100″.

I received this piece in poor setup and put a very responsive facing and tip finish on it in the traditional style.  The baffle was not low to start with and I have not tried to alter that further.  It is definitely on the bright side for Links, FL double rings in general were not especially dark in original condition either, until you get to larger tip sizes. This one is quite a detailed shimmering player with a lot of body.  I have no complaints about this piece, and could play it with a stiff 2.5 or harder as needed.

The nickel plating you see there is original, obviously with some wear to it.  It would have gold over that as well originally, for pieces of this particular period. For those who have been looking for a great playing double ring, this will not last long.

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These are wonderful early Link treasures.  We have two, both marked “master Link” and one of them also marked “four star”.  The body barrel of the ‘four star’ model is slightly wider and longer but otherwise they appear quite similar.

The previous owner had both of these sent to a professional refacing outfit that was most likely Babbitt due to the presence of clear denim milling on the table and rails.  The likely babbitt reface is very very clean and intact with no further alterations.  They have both been very nicely gold plated as well, of which all seems to remain intact also.  Both pieces measure around .070 (Otto Link 5*).

Large chamber early alto Links with clean (babbitt) factory facings at a slightly larger than original size that is very comfortable for alto. Original ligatures included for each.

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Here we have left to right a motley gathering of the world’s most insidious runaway mouthpieces:

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Another unruly group of vintage Links.  Grab them and break up the family, everyone’s doing it! We have, (left to right or top to bottom in pics):

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The very early ‘slant sig’ models sharing the same time period and aesthetic as the ‘Master Link’ and ‘Four Star’ models.  These have a large round chamber, quite scooped out and tend to play big and dark.  That darkness can be offset to some degree with baffle.  This one has had a facing to quite a large tip size for these.

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This one was refaced by someone unnamed.  Measures approx. 0.078 and the facing work looks clean.  There is enough mouthpiece here to have it setup to any specific nuance you want.  Cosmetically the outside shows age, but it’s a real one.

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Here we have a very very nice original (100% authentic) late Florida Otto Link ‘straight signature’ tenor piece at it’s original 5 facing, unaltered and a wonderful player as well.  Body is quite clean, facing curve untouched, tip in good shape, original long clamshell baffle (hand finished) and original table milling obvious and present.  They don’t get much nicer than this.  Most of the examples we see for sale out there now are fakes, this is real and these are hard to find.  Generally these are a bit more powerful than slant sig but mostly the same mouthpiece, probably the best of the hard rubber Florida models for projection.

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