Selmer Super (balanced) Action ‘SBA’ 48xxx Original US Lacquer, Near Mint With Excellent Setup

SBA 48xxx as rare as it gets.  This horn is in 99-100% original US lacquer and Elkhart engraving.  It has original resonators and a truly wonderful playing setup with quite new pads etc.  It needs nothing and is ready for the gig out of the case.  There are only minor dings and scratches to be found, no repairs that I could find, wonderful responsive neck with original matching number.
The pearls are brand-new sharp, the case is old and the zipper does not work but it is sturdy.

The response is exceptionally fast and fluid and the sound is very warm and kind of bouncy and expansive while still being focused as SBA’s are. This is a very loud and open feeling SBA, yet definitely not of the later design that feels a bit more like a MK VI, this is not at all like a MK VI.

 

I could keep writing but in the end, anyone looking for the SBA of a lifetime find would run with this after playing it for 2 minutes.  It IS that good, best SBA I have ever played, no contest.  Of course these are very rare, desirable and expensive, just the way things are now.  No complaints, this horn sounds and plays that great.

 

 

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Selmer “Super Sax” 14xxx Baritone, beautiful early Bari (on hold)

Wonderful early Selmer Bari, “SuperSax” in fine condition.  I cannot say if the lacquer finish is original or not but it’s a nice color and looks correct.  This horn has seen some life, easily at this age, but it is also in quite good condition for its age.  It has some normal dings, not very significant.  Someone, sometime in the past fabricated really nice extra supports for areas on the upper bows.  These supports appear to me to be silver, or nickel silver and they have quite nice rounded contours.  It appears to me that these were preventative rather than the result of any damage, just due to the size of them and the high quality of workmanship.

The original neck is present as is the case.  The pads are OLD and will absolutely need work.  I would not call this ‘playing’ at the moment at all, but everything is present, and in quite good condition.  I think most folks know these early Selmer Bari’s have a specially great warm tone.

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Otto Link FL USA 8 near mint original EXC Player

Very clean FL USA Otto Link 8 original facing in very clean condition.  This kit includes original box, lig, and cap.  Normally I play below 7* and 8 would feel a bit more work to play but this one played very easy for me and surprisingly bright as well.  Add the hugeness of an 8 opening and the tone + response is quite compelling.  I tried it on a number of horns and it was friendly to them across the board.  Overall it is surprisingly good for an original of the shelf FL Link with an untouched facing.  I cannot complain and could be happy with this piece as a main blower.

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Selmer MK VI Tenor 56xxx First Year Rarity

These don’t show up often and mostly not in this condition either.  This is an original US finished 56xxx tenor, 1954 first MK VI design, still something of a transitional instrument.  It has a nice pad job, all new and smooth.  Original S/c matched serial neck in very good condition, never pulled.  Bow, bell and neck all without injury, small dings here and there and some natural lac. wear.

The sound is really quite huge and unexpectedly loud and cutting.  It has what I would consider a dark fundamental with an exceptionally cutting bright edge.  It’s quite unique, not as focused as SBA, but significantly bigger booming sound as well. Sound coming out feels rather spread but behind the horn is not especially wide feeling.  This is what I consider to be a BIG horn.  It’s just a huge sound, very powerful and weighty; both darker AND brighter than most all at the same time.

 

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Selmer Super (Balanced) Action 49xxx relac Specialty complex player

49k SBA is the end and height of what I would call the 3rd model type of SBA; the second to last model of which the last are basically 50k-54k approximately.  The 3rd type (this one) trends towards the most power, projection and brightness before the 50ks that trend mellower and wider.  These are often phenomenal players, surprising even.

This one has been relacquered a long time ago with what is now a rather dark finish that is slowly wearing.  US engraving is fully visible and nice.  Most (maybe all) the original metal ToneX resos are present, pads are old and expired.  Pearls have some wear because this horn definitely enticed players, but they are fine just the way they are.

The neck, oddly is an earlier model from likely some version of Balanced Action.  Originally when I got this I thought “oh no” (no original neck) but after doing some pad regulation and playing this it is SHOCKINGLY good.  Among the best of any SBA/BA I have ever played and among the best sounds and feel of any horn ever, just exceptional horn.  This has the speed, even-ness, precision of the SBA with a lyrical and colorful complexity that is deeper and more nuanced than any I have ever played.  That is saying a lot.

This horn will need an overhaul, but its amazing on the world’s worst pads.  It will definitely go to a serious player and will not be undersold due to the neck as this is a bonus.  Anyone who plays it will know immediately.

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Otto Link Early Babbitt 6* original Tenor Mouthpiece

This original 6* Early Babbitt is in excellent condition.  The facing is very clean, just some staining of the gold plate that is almost all present.  Original ligature is included.  These are some of the best Links ever made with a slightly smaller chamber for optimal projection and focus.  This measures exactly .095.  original denim table milling clearly present.

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Francois Louis Tenor Pieces

We have a metal and a wood piece.  Both appear to be completely original.  The wood piece measures at about .103 while the metal comes in at around .107 (pending).  I am using a Babbitt tip wand so it is possible that these measure a bit bigger using a different method.
Both facings and tips are in very good condition, wood piece had a tooth gouge in the bite that I filled flush and then applied a patch over.  Both are rare pieces.  These are from an old estate and very likely they came from the 1980’s-1990’s.  The wood model was popularized by Joe Lovano I think, and the metal, Bob Berg.  This appears to be the much sought after solid silver handmade model.

Both of these pieces play excellently with power, depth, complexity and edge.

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Dukoff Hollywood “CV Special” Serial V122 large chamber

Dukoff Hollywood later model (two piece construction) serial V122.  This piece is rather close to original.  Someone has done some minor cleanup of some kind but there is still significant gold plating on the rails so they cannot have done too much.  It looks like someone mainly smoothed the ramp/baffle area.  These pieces CAN have some solder clumps at the seams so maybe they cleaned that up?

Anyhow, this is a ‘CV special’ (Charlie Ventura) facing and it measures quite accurately, with a tip size at just about .102 on my tools. It does not have a pronounced baffle and even so it has an edge to the sound (with my reed).  It plays really quite large and colorfully, with a beautiful fatness and dark fundamental defined by edge.  It has a little air on top of the sound (which gives it part of a smokey coloration) and that is likely due to the larger size.  These (CV) can vary anywhere from .093-.102 and the response will vary accordingly.

Obviously the biteplate has ben updated, and there is a patch over the replacement to protect it.  Much of the original exterior plating remains- silver under a small amount of gold. I have done nothing to this except give it a pass on the finest grit to clean the dirt and corrosion off the table which immediately resulted in a facing break of exactly 50 which is correct for this.  So, looking for a slightly big late model Hollywood?  This is it.

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Otto Link FL no USA Original W.T. Rarity

Wonderful rare WT facing and finish, no USA Florida Link.  These run at at .085-.087 and have a custom short facing curve with a pronounced short and high baffle.  They are setup such that although small, they have a resistance to handle softer reeds and make them feel strong while also offering a cutting edgy brightness.  I believe these were popular with studio players among others.  It is very satisfying to play and really does not feel like a 5* size with the right reed.  This is the best of all the WT pieces that I’ve owned and I saved this one for last.  The condition is about as mint as they come, perfect untouched facing and tip and plays phenomenally.

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Otto Link ‘Improved’ Tonemaster Marinated .100

Vintage otto Link Tonemaster, “improved” model (late) same as seen on the cover of Bluetrane LP.  This piece was originally a 5* facing and I’ve carefully and specially opened it to .100 (current Otto Link 7) with a significant yet not overbearing baffle and contoured rails.  It plays obviously bigger, and with quite a bit more clarity and detail than these would originally yet retains the original character.  It is the case of more and better, rather than altered or modernized.  It is finished in the traditional style these were made with.

It plays with plenty of volume, more body than a Florida Link, more edge and brilliance than an original.  A spread response with a tone slightly to the dark side of the spectrum and plenty of warmth.  Definitely among the best playing Tonemasters to be found.

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