SBA 48xxx as rare as it gets. This horn is in 99-100% original US lacquer and Elkhart engraving. It has original resonators and a truly wonderful playing setup with quite new pads etc. It needs nothing and is ready for the gig out of the case. There are only minor dings and scratches to be found, no repairs that I could find, wonderful responsive neck with original matching number.
The pearls are brand-new sharp, the case is old and the zipper does not work but it is sturdy.
The response is exceptionally fast and fluid and the sound is very warm and kind of bouncy and expansive while still being focused as SBA’s are. This is a very loud and open feeling SBA, yet definitely not of the later design that feels a bit more like a MK VI, this is not at all like a MK VI.
I could keep writing but in the end, anyone looking for the SBA of a lifetime find would run with this after playing it for 2 minutes. It IS that good, best SBA I have ever played, no contest. Of course these are very rare, desirable and expensive, just the way things are now. No complaints, this horn sounds and plays that great.
This is an excellent prime period MK VI tenor serial 103xxx from 1963. The model period, just after 100xxx has a very special character. They tend to play slightly more compact than the late five digits yet still retain much of the early resonance and vocality. These add just a touch more bright edge and punch to the sound, slightly more compact and a huge amount of fun. I believe this particular design was inspired by the demands of emerging “hard bop” styles of jazz and amplified rhythm and blues and respond with power and edge it surely does. I personally love this period and prefer them myself. Within this range, 100k-115l (or something like that) I have literally never played anything but great and extremely satisfying horns.
This is a wonderful old player’s horn made in 1948. The serial number is 35xxx and it is a very interesting one in that it is a transitional or experimental design model. This is a true SBA as indicated by the improved bow to body band that has screws and is removable for better ease of bow repair. However, early SBA’s usually have the lower foot of the low B guard attached to the bow to bell ring, as they had a slightly shorter bell than the later design starting at usually around 38xxx. This long bell version starting around 38xxx was the model played by Coltrane, somewhere around 40xxx and has superior intonation to the early SBA models, resolving a slightly sharp set of bell notes.
Interesting here is that this is clearly an experimental or transitional model that would be replicated consistently in the later SBA models. This early 35xxx has the long bell of the later 38xxx as can be seen by the position of the low B guard foot. This means some intonation issues will be better and also the tone may be altered. I would love to know myself but I don’t have time to overhaul this horn to get a clear idea of it’s character. What I do know for sure is that early SBA’s have the most excellent tone in general and can be even more vocal, warm and organic sounding than the post 38xxx models. The tone is just very poetic.
1951 is the year, “Super Action” (SBA) or “Super Balanced Action” baritone low Bb near perfect original US engraved masterpiece. This horn is 100% UNMOLESTED. It has a few TINY dings and scuffs, some honest wear, just a little and otherwise it is structurally perfect and nearly cosmetically untouched. It is SO rare to find one of these that has survived in this state.
According to Douglass Pipher this: “Selmer 44xxx is a US-Market baritone. It shipped in March 1951 as part of a batch of 30 Saxophones. (11 Altos, 13 Tenors and 6 Baritones)”
There simply were not many of these made and far far less of them still surviving in undamaged condition!
This has ALL original pads and resonators, never had an overhaul. The pearls are not worn, this had not been played much, but right now, it DOES PLAY, though should receive some attention. This has not been cleaned or anything, just exactly as revealed in the 1951 case, so there are a few insignificant water or strapping stains showing. The body, neck and upper brace all share the same 44xxx serial number (that has been obscured in the photos). This amazing jewel of Selmer model history and craftsmanship IS for sale but will not be shipped. Drop in, and fly this treasure out. This is for the top pro and/or collectors. Thanks for looking!
This is the prime period for both players and collectors. This one is a very very nice condition original with no serious damage and one tiny solder. These simply cannot be beat, and in rare excellent shape! (serial number obscured)
Rare nice condition 105xxx MK VI tenor, original lacquer, original pads etc, feels lovely on the hands and easy on the ears and eyes as well. This has a wonderful punchy, crisp & sizzling, projecting live sound! Has some minor bumps & bruises from use. The original neck is great, never had any pulldown, just some normal lacquer wear from hands. Bell has never been bent. This horn really has that sparkle that many look for. It has been used and is not perfect but still very nice looking and will be a real world class player when set up really well. Thanks for looking!
This King is my personal player. It has full pearls, original lacquer and a lot of it even still on the neck. It has a nice overhaul done by someone else, not sure whom, but it plays like a champ with an absolutely huge sound contrasted by a very nice compact compression that is a bit rare for Kings, which is why I kept this one for myself for a long time. I would say this horn is really on the bright side for Kings. It is tons of fun, very loud and has a lot of color, killer Jazz horn but easily handles RnB and electric volume.
This horn lacks nothing accept someone to play it. It’s been sitting here because for whatever reason, habit of mouth comfort I suppose, I tend towards the MK VI. This is not a horn I planned to sell, nor want to sell. I don’t NEED to sell it either but I simply don’t want to see it sitting as it is too damn good.
Here we have a beautiful vintage piece, Selmer MK VI soprano 146xxx in strikingly fresh and shiny original US lacquer with original pads and set in very nice playing condition. Essentially, this horn is nearly new. It is super responsive and sonorous with a great lively warmth to it. I completely enjoy blowing this one and would be perfectly happy to have it as my main soprano, as would most people who like MK VI’s. There is nothing to disappoint on this one. There are basically no issues, damage etc, just a great horn from the 1960’s just as great as everyone says they are.