Otto Link Tonemaster Marinated Masterpiece .097

This is a wonderful player, “Bluetrane” period Otto Link Tonemaster restored to a tip size of .097.  I would classify this as a chocolate butter rich complex tone. It has more clarity and projection than an original Tonemaster by a large measure, but is also not a super bright modern vibe at all.  It is very much accurate to the aesthetic of the original Tonemasters but extremely clear and brilliant with a true facing making it very reed friendly and not stuffy in any way.

For modern mouthpieces this would be considered dark I guess, but for a vintage Link this is probably in the middle tonally, and for a Tonemaster it might be just a bit bright and shimmery- still not a bright piece.  It is very organic and flexible.  It’s a joy to play this one, no effort was spared in making it the best it could possibly be without hyping or altering the inherent character.

Obviously not a whole lot of plating left on this one.  Biteplate shows some use (because it really was always just an inherently great piece) but the biteplate is functional and I will leave it.  Will work fine with or without a patch.

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Otto Link Tonemaster Original 4, very nice condition

Here we have a very pretty old early NY Otto Link Tonemaster, original facing 4. This still has some good gold plating on it, and also some wear.  it has been played, has a few nicks and dings etc but has survived pretty well.  The tip size measures for me close to the .070 one would expect.  Such nicely crafted old pieces.  Interestingly this one has some very significant rollover baffle for an early Tonemaster.

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Otto Link NY Tonemaster original J.A. (Joe Allard) facing SET

Here we have a beautiful original example of a rather rare custom facing original Otto Link Tonemaster, Joe Allard facing with cap and lig.  This facing is very clean, and undamaged nor altered.  Much gold plating is left, but as we can see this has been played in the past, just well taken care of.  Shows some normal cosmetic wear.

Tip measures at around 0.070 on my tools with a relatively thick tip if someone were to want to increase the size.  As it is with the suitable reed it plays and sounds truly beautifully.  I would say it has an excellent combination of fat, complex and detailed bright.

This is the later version or what some call “improved” Tonemaster, with I think I slightly smaller chamber and higher floor, they tend to be a bit more powerful and centered than the early models.  This is exactly the ‘Bluetrane’ model that we see on the album cover.

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