Welcome to Eulipion Woodwinds, home of Bob Drinkwater woodwind repair. For many decades Bob Drinkwater has been a mainstay in the Boston Metro area providing skilled full service woodwind repair to all walks of musicians from internationally touring professionals to local schools and bands.
In the 1970s Bob spent 10 years at Haynes Flutes developing all aspects of the most demanding detailed woodwind manufacturing and setup. He started off drop forging and making keys, then moved on to making foot joints, soldering, finishing and full assembly. He brought this especially precise approach to his work later on Clarinets and Saxophones as well.
From there he opened up his own shop upstairs at Carl Fischer Music in Boston with the now infamous “To Pad Or Not TO Pad” entry gate- (those who know, know) and the thousands of signed photos of every known jazz and soul musician covering the walls. He cared for instruments for all the working pros and musicians coming through town on tours as well as school age children and entire schools. When Carl Fischer closed he moved down to Steinway and had a shop there until relocating to Stoneham where he had shop for years as well.
This is where you want to go for small repairs on the run for working musicians, school setups for students, full overhauls, damage repairs and half pad jobs as well. Service offered on Clarinet, Saxophone, Flute, Kazoo (those are the most expensive) Piccolo, you name it, he will tussle with it and get it going. He also usually has a stable of second hand, student to pro and vintage to modern horns for sale and also offers consignment sales.
Stop by for all your woodwind needs (best to call for availability)
For availability of vintage saxophones and mouthpieces in stock please see the above link: “Vintage Saxophones & Mouthpieces For Sale”. That will show current offerings, sold and on hold offerings, as well as up and coming “in-shop” projects. Please feel … Continue reading →
The new Archetype tenor saxophone mouthpiece is a celebratory re-emergence of a historical lost Otto Link prototype, knows as the ‘Quad Ring’.The Quad Ring as it can be casually referred to was the initial design for Link’s most famous model, the “Super Tone Master”.Link had achieved wide popularity with the Tonemaster model among Jazz musicians from the late 1940’s to the 1950’s with the biggest names associated with the tenor saxophone favoring them such as John Coltrane,
Hank Mobley, Charlie Rouse, and many others.
At this time saxophone models were evolving towards louder and brighter response to follow the evolution of electrical amplification that allowed more volume on stage.Link’s mouthpiece evolution followed the pace with a new design making the larger Tonemaster chamber slightly smaller and allowing for the possibility of more baffle and a slightly brighter, more focused and projecting sound.The new design would also have an external aesthetic upgrade.
The first design iteration of this model had numerous double cut rings on the shank, and extended the top (ligature) bar to the full length of the body barrel, yet still had the model name “Tonemaster”.John Coltrane featured one of these, maybe the only one, in photos taken in 1963.Another iteration of the same body design and internal volume features four significant rings on the shank and the model name “Super ToneMaster”; the first we see of the new model name.This is the prototype for Link’s most famous mouthpiece, starting with the Double Ring NY model.
I was lucky enough to get a rare Quad Ring by chance some years ago.I am aware that there are a (very) few other surviving examples of this model in existence, but the majority or unfinished raw castings.The first iteration transition multi ring “ToneMaster” belonging to Coltrane also exists but it cannot be called “surviving” as it has been made unplayable and unsalvageable by too much alteration and removed metal.The one I got is the only surviving example I know that features a production serial number and was setup to play.This piece was finished for the public, and it is quite a player.It has a unique response; a slightly smaller chamber than (most) NY Double Ring, and yet still a bit larger chamber I believe than most Florida Double Ring.It has a unique response, not as diffuse as the Tonemaster. and a sound every bit as complex as the early Double Ring,
This is such a wonderful playing and unique historical treasure it must be resurrected, and that is what I have done.Through a painstaking exhaustive learning process of many years I have finally brought this model to life.With a combination of technologies such as X-ray tomography, CAD modeling, precision CNC machining, and about 35 years of direct study and handcraft of historic Otto Link models, facings and finish methods I have reproduced this special mouthpiece.Having these technologies available I was able to replace lost material and absolutely optimize the configuration of the blank for the best playing result.The Archetype has the accurate tone of the old Quad Ring original yet offers many different options for setup and response.
There is no other mouthpiece like this available.It is a unicorn and a killer player.I am offering these in standard sizes of .095- .102and custom orders for other sizes.So far all players who got the first ones have been thrilled with the response. I have been very busy handcrafting these such that I have not had the time to create a huge advertising campaign, but be assured you are going to see these hitting the gigs.
